Today is the final day of a surreal and wonderful week in my life as an artist.
100 of my ink drawings are up at Tate Modern.
They are part of a residency/take over at Tate Exchange , a public engagement area set aside on level 5 of the Blavatnik building.
A selection of my project ‘Stories collected live in ink’ is there thanks to Wasafiri Magazine in which I’m featured artist this issue.
Wasafiri is a journal of international contemporary writing and is based at Queen Mary University London.
Queen Mary was offered the weeks residency to showcase some of the many cultural programmes that are based there.
This current issue of Wasafiri explores the theme of refuge, with essays, fiction and poetry from global voices on the subject. It’s been guest edited by Bidisha, and I was honoured to read at the launch at Tate on Friday, and participate in a panel with Bidisha and fellow poets Olumide Popoola and Lisa Luxx.
Part of the remit for artists taking part in activities at Tate is that we should do a 10 minute talk in front of a work we choose in the collection.
This really exercised me, so many incredible paintings that I love and grew up on. But for the sheer bravado of it I chose Interior Scroll by Carolee Schneemann
I also did a two hour story collecting session – which was a blast: intense yet joyful as ever.
One of the great thrills of this opportunity has been to put the voices of all kinds of people into a space where they might not normally be heard, and to create a new set of ‘neighbours’ in displaying the drawings made with people from Southall, Liverpool, Northamptonshire, Devon, Brixton, and many other places next to each other.
I chose these 100 stories from my big archive boxes in the studio in which I have about 1200 drawings collected over the last decade. I decided on home as my theme, so that I could include very ‘settled’ narrations as well as the sometimes difficult stories of people more recently arrived. I wanted to reflect the cosy ways in which we create home for ourselves even perhaps fleetingly, on the road, or the impossibility of that comfort sometimes in long term situations!
Above all I love the collective of recognition such an exhibition creates, I’ve been touched to see people look at the drawings and cry. And amazing feedback such as this!
These pictures are records of real subjective feeling, often described as metaphor or fact to me, who subjectively aims to honour and depict them. It’s all true! Subjectively true.
And of all the extraordinary twists: I find myself (like Marcia the security guard below, I never thought I would) ‘at home’ in Tate Modern!