Sixty Lovers to Make and Do

Cut out lettering for book cover (but not actual book cover.)
First cover rough

One of my favourite things to do on holiday is to drift about in secondhand bookshops.

Single author collections (alphabetical! detail!)

There’s often good contemporary poetry in charity shops which is heartening and disheartening at the same time, great for fixing holes in my spookily well organised poetry book case though.

Other books I collect are often more elusive, being older, usually early and mid twentieth century publications, fairy tales and activity books.

A few from my fairy tale collections collection

Old activity books, with their dry yet perky instructions for practical creativity also speak of magic and transformation, with a resourceful kind of innocence.

some of my wonderful 20th century activity books

The combined inspiration of these three types of book is behind my new collection of poems that’s about to go to press.

Called 60 Lovers To Make and Do, it is a sequence of poems in which women characters create their own lovers from stuff they find lying about at home or at work. The sixty women all have different jobs which give the poems their titles, and sometimes the lovers they manifest connect with these.

A sneak preview of a few of the poems from 60 Lovers to Make and Do

It’s a homage to the female artist in all of us, as well as to the imagination and to loneliness.

I was delighted that David and Ping Henningham, of Henningham Family Press, wanted to publish the sequence, as they are artists like me, and always design their books as if each one is a new invention.

I have been making a new type of collage/papercut to accompany the poems, but not illustrate them. For these I have been concentrating on finding and releasing invisible lovers from pages in old magazines and books.

Lovers in a minimal interior
verily a floating knave

There are also images made with collaged words in addition to the salvaged images – some works with just found words and no image, there’s even a bit of drawing.

Mystery female hat prop collage

Working with the Henninghams has been brilliant, they helped think of how to structure the book – suggesting a seasonal approach, like a book of hours.

We all spent a day in the V and A looking in the library as well as at the collection, riffing off the many exquisite and surprising objects, and marvelling at how medieval people made pages with so many dimensions, what we could take from their inventive text handling…

I cut out another type of newspaper collage for the seasonal dividers – here’s an example of one: winter.

Winter lovers cut from mourners

This picture is cut from a newspaper photo of the crowds of mourners at George V’s funeral in 1936.

Henningham Family Press ran a very successful Kickstarter campaign to supplement some Arts Council funding for the book, which means there can be really beautiful duotone reproductions of the collages, as well as an additional colour within its pages. I’d like to thank Gemma Seltzer at Kickstarter, and everyone who supported the book, and preordered a copy through this.

If you would like to order a copy of the book, it will be easy to buy direct from henninghamfamilypress.co.uk from September, as well as by ordering it at your local bookshop. Do please come to the launch party –

Tuesday 17th September at the Cinema Museum 6:30-9, with a reading at 8.

hopefully there’ll be enough room for lots of us, even with our real or imaginary friends and lovers.

The Electric Nothing

Blake manifests on his own local station

Poet Anna Robinson hosts a monthly programme on Soho Radio called The Poetry Parlour, in which guests are invited to read work and discuss interesting poetic questions live on air.

I spent a very fun hour in the bijou radio studio on Great Windmill Street on Friday, with Anna and Blake scholar Dr David Worrall, talking about William Blake – as a child of Soho, visionary Londoner and all round majestic influence.

We also each got to pick a song to go with the subject, and read a couple of pieces of work. You’ll have to listen via the link below if you’re curious, but here’s a clue, one poem I read was from The Practical Visionary , and the other was a brand new one written over the last month when I lived in a castle, as a lucky recipient of a Hawthornden Fellowship.

Listen here:  William Blake in the Poetry Parlour

Thanks so much for having me Anna, for the pretend studio tea (in real pretend cracked floral teacups) and the real hardcore coffee to follow, needed to propel me to a necessary browse at wonderful new bookshop The Second Shelf, in nearby Smiths Court.

As a comedown from the fully catered Scottish castle life, I recommend chatting about Blake & books with nice people in Soho as a good first step!

A night on the tiles.

Museum curator Poppy Learman, wearing green velvet and an excited grin, led me to see how she and her co curator Liz Stewart, also in a fabulous green ensemble, had displayed my drawings at the new exhibition they’ve conceived and now realised, which has recently opened at The Museum of Liverpool.

Galkoff’s and the Secrets of Pembroke Place

Such a thrill to see the forty one drawings they chose, from over a hundred I listened to and drew, made into a massive wall of Liverpool voices and stories.

They’re pasted up on the reverse of the beautiful frontage of Galkoff’s kosher butcher which has been carefully reconstructed, tile by shiny green tile, inside the museum, as the centrepiece for a show that uncovers all kinds of history of its particular part of the city, once lively home and shopping area to many, including a busy and established Jewish community.

The sixty stories not pasted up, are also available to look at in a flip book which is part of the extensive display.

Every single person I met on my story collecting odyssey in Liverpool had something interesting and surprising to say!

I’m looking forward to contributing to a symposium on the work around this show. It’s going to be on December 9th and I’ll talk about the story collecting process and read some poems.

Galkoff’s Symposium

If you’re in Liverpool, do visit the museum. It’s the perfect spot to take your imagination and do some time travelling, and once you’ve heard Galkoff’s Sausage Song for yourself, maybe also find some lunch.

Wearing shiny green clothes is optional. Or maybe just give yourself a polish and wear a glazed expression?