A night on the tiles.

Museum curator Poppy Learman, wearing green velvet and an excited grin, led me to see how she and her co curator Liz Stewart, also in a fabulous green ensemble, had displayed my drawings at the new exhibition they’ve conceived and now realised, which has recently opened at The Museum of Liverpool.

Galkoff’s and the Secrets of Pembroke Place

Such a thrill to see the forty one drawings they chose, from over a hundred I listened to and drew, made into a massive wall of Liverpool voices and stories.

They’re pasted up on the reverse of the beautiful frontage of Galkoff’s kosher butcher which has been carefully reconstructed, tile by shiny green tile, inside the museum, as the centrepiece for a show that uncovers all kinds of history of its particular part of the city, once lively home and shopping area to many, including a busy and established Jewish community.

The sixty stories not pasted up, are also available to look at in a flip book which is part of the extensive display.

Every single person I met on my story collecting odyssey in Liverpool had something interesting and surprising to say!

I’m looking forward to contributing to a symposium on the work around this show. It’s going to be on December 9th and I’ll talk about the story collecting process and read some poems.

Galkoff’s Symposium

If you’re in Liverpool, do visit the museum. It’s the perfect spot to take your imagination and do some time travelling, and once you’ve heard Galkoff’s Sausage Song for yourself, maybe also find some lunch.

Wearing shiny green clothes is optional. Or maybe just give yourself a polish and wear a glazed expression?

The Practical Visionary

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book cover design (rough) with vine leaf and bible cutout London

If the Sun & Moon should doubt,

They’d immediately Go out 

[from the Auguries of Innocence, William Blake]

Poet & collaborator Chris McCabe and I have been sharing and exchanging ideas about one of our favourite genii, William Blake for a few years now, including teaching creative courses on him for The Poetry School.

one of the many Blake works transformed into mosaics by Southbank mosaics, these illuminate several tunnels in North Lambeth

These have involved reading, writing, walking Blake’s Lambeth (including the amazing Southbank mosaics, e.g. above) drawing and collage and also a printmaking component, for which we were lucky enough to get to use Slaughterhaus Print Studios in Stockwell, where students could try the heavy wheel of an etching press, and immerse themselves in some of that engraver’s back to front thinking that was such an essential part of Blake’s process.

L to R: Anne Macaulay, Victoria Grigg, Julia Bird, Me, Chris McCabe, Evalyn Lee, Catherine Jones, Mike Sims, with some of our work, at Slaughterhaus Studio in Stockwell.

This September sees the publication of Chris and I’s book in response to William B: The Practical Visionary, as well as an exhibition at the Poetry Cafe of some of the original work that this has generated.

One of a series of 7 Lambeth puddle collage poems made collaboratively for the book.

Our publisher, the small but heroic Hercules Editions, run by poet Tamar Yoseloff, was named for the road Blake and his wife Catherine lived on in their most productive 10 years, making illuminated books in Lambeth, the borough I was born and raised in and live in still, and the borough Chris is in during his working week, as the librarian of the National Poetry Library at the Southbank.

Do look at The Practical Visionary Kickstarter campaign – there’s more here about the way we created the content and the pages, starting with quite a funny spontaneous video, made at the end of a publishing meeting.  Though I say so myself, there are some amazing art bargains available in the list of rewards for supporters.

We’ll be launching the book officially at the Poetry Cafe on October 17th, but the week before, there’s a chance to come and do some Blakean responding of your own at our evening workshop at The Poetry Society.

Whoever your Blake turns out to be, I hope you catch a glimpse of his colour and fire somewhere in the pages of The Practical Visionary.

Golgonooza the spiritual Four-fold London eternal
In immense labours & sorrows, ever building, ever falling,
Thro Albions four Forests which overspread all the Earth,
From London Stone to Blackheath east: to Hounslow west:
To Finchley north: to Norwood south

[from Milton by William Blake]