One way to knock the surprise back into making things is to turn them upside down. It’s a trick I learned in the painting studios at art school. It helps shake out the form and the colour, as well as to refresh tired eyes. A painting that’s spent a while the other way up, nearly always comes back in better shape for its next stint of back to the wall engagements.
Getting my Ancestors Practiced at a Different Landscape, gouache, ink and collage on paper, 2020 (upside down)
With INDEX, my new collection, I have puzzled over the form from several directions. Finding a last word or phrase for a poem before finding a theme or a thought. Laying whole sentences in little piles. Searching through yesterdays yellowing magazine banter for something to skewer the now.
This is one of the ways I write when I’m finding writing difficult. Leaning on words found or put together already by somebody else and re or decontextualising them.
The results of these can also be read from the bottom up, and if this is done will give a different yield. Actually like a lot of poems, these can be read in any order you like!
Since the whole proof set of 78 cards in INDEX came back from the printers last week, I have been trialling them as daily prophesy, and this changes the way I hear them too. I pick three, from a morning shuffle, a yesterday, a today and a tomorrow.
Once I’ve tried to apply the poems, I choose one line or phrase from each card and make a new small poem, and if I remember, I let it set the tone of my day. Eg from the above I chose to imagine the strange pairs in the first card as parental figures: and from the second card I took my anxiety about ageing, and the third card made me think about decorating grief, cruelty or difficult things with flowers. A quick mantra poem for the day might go like this:
Numb shrubs wish for splendid vitality like a bee. Two owls forgive me. Decorate cold reality with calendulas.
I used the anywayup principle to create the backs of the poem cards. My challenge being to make these small collages readable whichever way up they fall.
I used black and white images from a lot of the same broken books and old magazines I’d been clipping phrases from for the fronts. I was only planning to make one image for all the card backs, but the process got a hold on me, so I ended up making thirty nine.
That being half the pack, meant that each reverse could appear twice and allow those not interested in the poetry to play games of Dada snap instead. I also like the idea of these images working as poem prompts for readers or players.
It has been a treat to work with Tom Jenks who is publishing the deck of cards as poetry object number 60, from his experimental press zimZalla.
Tom and I first met in 2013, wearing some cardboard headdresses I’d made for me & him & Chris McCabe when I offered to help the two of them with their performance of a piece they’d collaborated on, that imagined Boris Johnson as Pere UBU . Sadly this also proved prophetic.
We wanted to make sure these poems were produced without plastic coatings or shrink wrap (who doesn’t want their poetry to rot down quietly with the cabbage stalks once the time comes?) So we were glad that a local printers in Sale, Manchester, Phoenix Press , had a very helpful Jack Russell and time over lockdown to make INDEX and print the poem cards on unvarnished stock.
Thanks to everybody who supported the Kickstarter campaign and preordered the box.
Is it too late to pre order a deck? You could try emailing firstname.lastname@example.org whilst the printing is still underway…
A prophesy: Soon a red box with gold letters full of pastel coloured cut up poems will be tipped upside down on my kitchen table – and people will be once more allowed inside the house, to drink together from the teapot of language in a fresh brew.