I’d been looking forward to a recap and recce back in Berkeley for some weeks in February and March. Peleh Residency manager and fellow writer Dan Schifrin and I had been talking about a possible book collaboration over the years since I left mid pandemic in 2020. Sadly the visit has proved impossible – so I am still in Inklandt. It is challenging to progress this book idea at a distance – but a lot of what we are addressing in the book is challenging, so this not-visit may end up being useful material.
When it comes to Esthers I have done okay with the queenly variety, as a new deck of playing cards by four women artists including me, that tell her story, is now available from publishers Print-o-Craft in Philadelphia.
Esther is one of the only putative female writers of the bible – and her book famously doesn’t mention god. It’s mostly about power, sex, and parties, with quite a lot of slaughter thrown in. The festival of Purim which commemorates her story, is all about chance and reversals of fortune. It’s the season, beginning now, where the commandment is to get drunk and party till you don’t know good from bad, or right from wrong.
This project was initiated by artist Jacqueline Nicholls in conversation with Shaul Bassi of Beit Venezia – it was originally going to involve us all traveling to Venice to work together on setting the story in that city: HQ of dressing up and casinos.
But covid struck – so as in the opening story – we convened online. We inhabited a virtual Venice and began thinking about the story and how to picture it afresh. Making a deck of cards seemed a great match for the content, tied as cards are, to gambling and chance.
We each had our own suit, I was allocated hearts – which represents the first section of the story, where we first meet the characters. Over zoom we made close readings of the text, sometimes joined by invited scholars, who shed new light on aspects of Venice or the text/context. Our uniting constraint was to make the artwork A4 portrait format and limit our palette to black and red. Like all my experiences of working with Jacqueline, there was a lot of learning and a lot of fun.
Mirta Kupferminc painted the clubs, Tilla Crowne was on diamonds – and Jacqueline dealt herself the spades. We launched the deck at JW3 where you can see the exhibition of giant cards in the foyer and shuffle over and purchase your own deck. Happy Purim – here’s my brand new poem to help celebrate the festival.
May you wash it down with pastries & whatever hard liquor you favour. Tea I recommend.
If you are also trapped in London this spring, why not exacerbate that feeling by coming to an IRL poetry reading? Next Sunday – March 5th I’ll be reading a good handful of poems at Jewish Book Week. As will Jill Abram & Adam Kammerling. We are part of an afternoon of free literary events being hosted by Tsitsit Fringe. Our section starts at 3pm.
Then back in the south at Chener Books, one of my favourite local bookshops, I’ll be at the launch of brand new anthology called Living With Other People. It’s edited by three women poets who go under the banner Corrupted Poetry – I wrote about it in the previous post. I am one of several of the contributors who will be reading – on the spring equinox – March 21st.
Also big book news for March – Sally Pomme Clayton and I are getting very excited about The Mighty Goddess, our new collaboration and our fifth book together, the first one for adults. We look forward to launching it later in the spring. Pomme has written 52 diverse and fascinating myths that she’s gathered over many years of storytelling and research – I have snipped 52 original paper cuts. More details to follow – but meanwhile here are some snowdrops from the book – for Brigid – as it is the season. If you’d like us to do a performance/reading/ in conversation – invitations and suggestions of dates and venues are most welcome.
And may your path be all shades of daff and primrose as we move into the longer days at last.